With the six artists currently in residence at Pavillon Neuflize OBC: Manolis Daskalakis-Lemos (1989 - Greece), Lola Gonzàlez (1988 - France), Taloi Havini (1981 - Papua New Guinea), Yu Ji (1985 - Shanghai), Thomas Teurlai (1988 - France), Wataru Tominaga (1988 - Japan)

Eight contemporary Greek choreographers: Markella Manoliadi (1980 - Greece), Aris Papadopoulos (1983 - Greece), Joanna Toumpakari (1980 - Greece), Stylianos Tsatsos (1990 - Greece), Yiannis Tsigkris (1989 - Greece), Alexandros Vardaxoglou (1986 - Greece), Andi Xhuma (1980 - Albania), Christos Xyrafakis (1989 - Greece)

Curator: Fabien Danesi 
Sound artist: Julien Perez
Choreographic curator: Andonis Foniadakis

About the exhibition Prec(ar)ious collectives

In parallel to documenta 14, Palais de Tokyo and Pavillon Neuflize OBC, the artist-in-residence programme of Palais de Tokyo, alongside with Foundation Fluxum/Flux Laboratory, present Prec(ar)ious Collectives.

This hybrid contemporary project is a collaboration between the six visual artists currently in residence at Pavillon Neuflize OBC and eight contemporary Greek choreographers. As part of the experimentation, the artists and the dancers define together a specific format for the public presentation in-between an art exhibition and a dance performance. 
Prec(ar)ious Collectives questions the notion of community as a situation and not as a subject to illustrate. The ambition is to invent, the time of an experience of collective creation, a fictional “us” as a way of escaping the assigned identities. The works (installations, videos) of the artists in residence at the Pavillon are to be put into motion on a series of occasions by the dancers’ performances.

​About Thomas Teurlai's work : Score for bodies and machines, 2017 

Two printers are used here for their exact function : producing images. But the machines serve more precisely for creating the complete score of a choreography for two dancers.
The amplification of their working noises becomes music and the neons which crackle assert that this installation is a way to keep alive the energy of the encounter between creative bodies and repetitive engines.

Source : www.palaisdetokyo.com