Solo exhibition
Exposition personnelle
21.10.2017—28.01.2018
The Hepworth Wakefield
The Hepworth Wakefield
Wakefield, GB
Wakefield, GB
Alina Szapocznikow: Human LandscapesAlina Szapocznikow: Human Landscapes Alina Szapocznikow
Curated by:
Commissariat :
Andrew Bonacina, Marta Dziewanska
This will be the first UK retrospective of the work of the much-overlooked Polish artist Alina Szapocznikow (1926 - 1973), whose elaborately constructed sculptures remain as powerfully resonant today as when they were first made.
Szapocznikow’s career was cut short by her premature death in 1973 at the age 47 but her work has been reappraised internationally in the last decade. A chronological display will highlight how the artist’s work developed from classically figurative sculptures to her later “awkward objects” which are politically charged and overlaid with Surrealist and Pop Art influences.
The exhibition will include works incorporating Szapocznikow’s characteristic use of cast body parts, many of which she transformed into everyday objects like lamps or ashtrays.
It will feature over 50 works created between 1956 and 1972 including sculpture, drawings, and photography, the exhibition draws on loans from private and public collections, including major institutions in Poland.
Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but also of her own body, related to her traumatic experiences during WWII, as a Polish Jew, imprisoned for over 10 months in Auschwitz and Bergen-Belsen concentration camps.
After the war Szapocznikow trained as a sculptor in Prague and later in Paris where she first came into contact with the work of artists such as Jean Arp, Alberto Giacometti and Henry Moore. She returned to Poland in 1951 and represented her country in the 1962 Venice Biennale.
Source : www.hepworthwakefield.org
This will be the first UK retrospective of the work of the much-overlooked Polish artist Alina Szapocznikow (1926 - 1973), whose elaborately constructed sculptures remain as powerfully resonant today as when they were first made.
Szapocznikow’s career was cut short by her premature death in 1973 at the age 47 but her work has been reappraised internationally in the last decade. A chronological display will highlight how the artist’s work developed from classically figurative sculptures to her later “awkward objects” which are politically charged and overlaid with Surrealist and Pop Art influences.
The exhibition will include works incorporating Szapocznikow’s characteristic use of cast body parts, many of which she transformed into everyday objects like lamps or ashtrays.
It will feature over 50 works created between 1956 and 1972 including sculpture, drawings, and photography, the exhibition draws on loans from private and public collections, including major institutions in Poland.
Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but also of her own body, related to her traumatic experiences during WWII, as a Polish Jew, imprisoned for over 10 months in Auschwitz and Bergen-Belsen concentration camps.
After the war Szapocznikow trained as a sculptor in Prague and later in Paris where she first came into contact with the work of artists such as Jean Arp, Alberto Giacometti and Henry Moore. She returned to Poland in 1951 and represented her country in the 1962 Venice Biennale.
Source: www.hepworthwakefield.org
Vue de l’exposition Alina Szapocznikow: Human Landscapes, The Hepworth Wakefield, Wakefield, Royaume-Uni, 2017-2018.
Exhibition view, Alina Szapocznikow: Human Landscapes, The Hepworth Wakefield, Wakefield, UK, 2017-2018.
© Courtesy The Hepworth Wakefield. Photo Lewis Ronald.
© Courtesy The Hepworth Wakefield. Photo Lewis Ronald.
Vue d’installation de l’exposition Alina Szapocznikow: Human Landscapes, The Hepworth Wakefield, Wakefield, Royaume-Uni, 2017-2018.
Installation view of the exhibition Alina Szapocznikow: Human Landscapes, The Hepworth Wakefield, Wakefield, UK, 2017-2018.
© Courtesy The Hepworth Wakefield. Photo Lewis Ronald.
© Courtesy The Hepworth Wakefield. Photo Lewis Ronald.
Vue d’installation de l’exposition Alina Szapocznikow: Human Landscapes, The Hepworth Wakefield, Wakefield, Royaume-Uni, 2017-2018.
Installation view of the exhibition Alina Szapocznikow: Human Landscapes, The Hepworth Wakefield, Wakefield, UK, 2017-2018.
© Courtesy The Hepworth Wakefield. Photo Lewis Ronald.
© Courtesy The Hepworth Wakefield. Photo Lewis Ronald.
Alina Szapocznikow
Autoportrait I, 1966
Alina Szapocznikow
Autoportrait I, 1966
Autoportrait I, 1966
Autoportrait I, 1966
Marbre, résine de polyester
41 × 30 × 20 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
Marble, polyester resin
16 1/8 × 11 13/16 × 7 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
41 × 30 × 20 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
16 1/8 × 11 13/16 × 7 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
Alina Szapocznikow
Autoportrait I, 1966
Alina Szapocznikow
Autoportrait I, 1966
Autoportrait I, 1966
Autoportrait I, 1966
Marbre, résine de polyester
41 × 30 × 20 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
Marble, polyester resin
16 1/8 × 11 13/16 × 7 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
41 × 30 × 20 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
16 1/8 × 11 13/16 × 7 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
Alina Szapocznikow
Autoportrait I, 1966
Alina Szapocznikow
Autoportrait I, 1966
Autoportrait I, 1966
Autoportrait I, 1966
Marbre, résine de polyester
41 × 30 × 20 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
Marble, polyester resin
16 1/8 × 11 13/16 × 7 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
41 × 30 × 20 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
16 1/8 × 11 13/16 × 7 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
Alina Szapocznikow
Autoportrait I, 1966
Alina Szapocznikow
Autoportrait I, 1966
Autoportrait I, 1966
Autoportrait I, 1966
Marbre, résine de polyester
41 × 30 × 20 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
Marble, polyester resin
16 1/8 × 11 13/16 × 7 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
41 × 30 × 20 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
16 1/8 × 11 13/16 × 7 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset.
Alina Szapocznikow
Dłoń. Projekt Pomnika Bohaterów Warszawy II, 1957
Alina Szapocznikow
Dłoń. Projekt Pomnika Bohaterów Warszawy II, 1957
Dłoń. Projekt Pomnika Bohaterów Warszawy II, 1957
Dłoń. Projekt Pomnika Bohaterów Warszawy II, 1957
Plâtre patiné, limaille de fer
144,5 × 73 × 42 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
Patinated plaster, iron filings
56 7/8 × 28 3/4 × 16 9/16 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
144,5 × 73 × 42 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
56 7/8 × 28 3/4 × 16 9/16 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
Alina Szapocznikow
Buste étincelant I, 1967
Alina Szapocznikow
Buste étincelant I, 1967
Buste étincelant I, 1967
Buste étincelant I, 1967
Résine de polyester colorée, câble éléctrique, métal
58 × 21 × 20 cm
Collection privée
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
Coloured polyester resin, electrical wiring, metal.
22 13/16 × 8 1/4 × 7 7/8 in
Private collection
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
58 × 21 × 20 cm
Collection privée
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
22 13/16 × 8 1/4 × 7 7/8 in
Private collection
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
Alina Szapocznikow
Lampe-Bouche, 1966Alina Szapocznikow
Lampe-Bouche, 1966
Résine de polyester teintée, métal, câble d'alimentation
45 x 11 x 15 cm ⁄17 3⁄4 x 4 3⁄8 x 5 7⁄8 in
Collection privée / Private collection
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris.
© ADAGP, Paris. Photo Fabrice GoussetColoured polyester resin, electrical wiring and metal
45 x 11 x 15 cm /17 3/4 x 4 3/8 x 5 7/8 in
Collection privée / Private collection
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris.
© ADAGP, Paris. Photo Fabrice Gousset
Alina Szapocznikow
Bez Tytułu, ca. 1961
Alina Szapocznikow
Bez Tytułu, ca. 1961
Bez Tytułu, ca. 1961
Bez Tytułu, ca. 1961
Monotype and ink on beige laid paper watermarked ’INGRES’
64,6 × 48 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
25 7/16 × 18 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
64,6 × 48 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
Alina Szapocznikow
Autoportret II, 1966
Alina Szapocznikow
Autoportret II, 1966
Autoportret II, 1966
Autoportret II, 1966
Bronze
20,5 × 26 × 11 cm
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo F. Gousset.
Bronze
8 1⁄8 × 10 1⁄4 × 4 1⁄4 in
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo F. Gousset.
20,5 × 26 × 11 cm
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo F. Gousset.
8 1⁄8 × 10 1⁄4 × 4 1⁄4 in
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo F. Gousset.
Alina Szapocznikow
Pamiątki [Souvenirs], v. 1967Alina Szapocznikow
Pamiątki [Souvenirs], v. 1967
Résine de polyester et photographies
à vérifier
Courtesy galerie Loevenbruck, Paris
© ADAGP, ParisRésine de polyester et photographies
à vérifier
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris
Alina Szapocznikow
Ventre-coussin, 1968
Alina Szapocznikow
Ventre-coussin, 1968
Ventre-coussin, 1968
Ventre-coussin, 1968
Mousse polyuréthane
18 × 30 × 34 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
Polyurethane foam
7 1/16 × 11 13/16 × 13 3/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
About the artwork
18 × 30 × 34 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
7 1/16 × 11 13/16 × 13 3/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
About the artwork
Alina Szapocznikow
Sculpture-Lampe VI, 1970Alina Szapocznikow
Sculpture-Lampe VI, 1970
Résine de polyester teintée, métal, câble d’alimentation
56 x 32 x 35 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice GoussetColoured polyester resin, metal and electrical wiring
22 1⁄16 x 12 5⁄8 x 13 13⁄16 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset
Alina Szapocznikow
Sculpture - Lampe VIII, 1970Alina Szapocznikow
Sculpture - Lampe VIII, 1970
Résine de polyester colorée, fil électrique et métal
21 x 23 x 16 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris Photo Fabrice GoussetColoured polyester resin, electrical wiring and metal
21 x 23 x 16 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris Photo Fabrice Gousset
Alina Szapocznikow
Sculpture - Lampe IX, 1970
Alina Szapocznikow
Sculpture - Lampe IX, 1970
Sculpture - Lampe IX, 1970
Sculpture - Lampe IX, 1970
Résine de polyester colorée, fil électrique et métal
127 × 42 × 33 cm
Collection privée
Photographie de 1970, dans l’atelier de l’artiste.
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris.
Coloured polyester resin, electrical wiring and metal
50 × 16 1/2 × 13 in
Private collection
Photograph from 1970, in the artist’s studio
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris.
127 × 42 × 33 cm
Collection privée
Photographie de 1970, dans l’atelier de l’artiste.
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris.
50 × 16 1/2 × 13 in
Private collection
Photograph from 1970, in the artist’s studio
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris.
Alina Szapocznikow
Sans titre (Fétiche VII), 1971
Alina Szapocznikow
Sans titre (Fétiche VII), 1971
Sans titre (Fétiche VII), 1971
Sans titre (Fétiche VII), 1971
35 × 50 × 40 cm
Ursula Hauser Collection, Suisse
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
Polyester resin, nylon tights and wool
13 3/4 × 19 11/16 × 15 3/4 in
Ursula Hauser Collection, Switzerland
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
Ursula Hauser Collection, Suisse
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
13 3/4 × 19 11/16 × 15 3/4 in
Ursula Hauser Collection, Switzerland
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
Alina Szapocznikow
Dessert II, 1970-1971
Alina Szapocznikow
Dessert II, 1970-1971
Dessert II, 1970-1971
Dessert II, 1970-1971
Résine de polyester, coupe en verre, photographie
19 × 13 × 13 cm
Collection privée / Private collection
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo Fabrice Gousset.
Polyester resin, glass, photographs
7 1/2 × 5 1/8 × 5 1/8 in
Collection privée / Private collection
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo Fabrice Gousset.
19 × 13 × 13 cm
Collection privée / Private collection
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo Fabrice Gousset.
7 1/2 × 5 1/8 × 5 1/8 in
Collection privée / Private collection
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo Fabrice Gousset.
Alina Szapocznikow
Fotorzeźby, 1971/2007
Alina Szapocznikow
Fotorzeźby, 1971/2007
Fotorzeźby, 1971/2007
Fotorzeźby, 1971/2007
Vingt épreuves gélatino-argentiques originales et un collage avec texte sur papier
Prises de vue : Roman Cieslewicz
24 × 30 cm et 30 × 24 cm (chaque)
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris
Twenty original gelatin silver prints, collage with text on paper
Photography: Roman Cieslewicz
9 7/16 × 11 13/16 in and 11 13/16 × 9 7/16 in (each)
Courtesy galerie Loevenbruck, Paris
©
Prises de vue : Roman Cieslewicz
24 × 30 cm et 30 × 24 cm (chaque)
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris
Photography: Roman Cieslewicz
9 7/16 × 11 13/16 in and 11 13/16 × 9 7/16 in (each)
Courtesy galerie Loevenbruck, Paris
©
Alina Szapocznikow
Piotr – pełnopostaciowy, 1972
Alina Szapocznikow
Piotr – pełnopostaciowy, 1972
Piotr – pełnopostaciowy, 1972
Piotr – pełnopostaciowy, 1972
205 × 45 × 33 cm
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris.
80 11/16 × 17 3/4 × 13 in
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris.
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris.
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris.
Alina Szapocznikow
Bukiet II, 1966
Alina Szapocznikow
Bukiet II, 1966
Bukiet II, 1966
Bukiet II, 1966
Assemblage: plâtre, film plastique, polyester coloré, construction acier
165 × 50 × 36 cm
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
64 15/16 × 19 11/16 × 14 3/16 in
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
165 × 50 × 36 cm
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.