Solo exhibition
Exposition personnelle
14.04.2017—09.07.2017
Witte de With
Rotterdam, NL
Rotterdam, NL
The nude and the sap Daniel Dewar & Grégory Gicquel
Curated by:
Commissariat :
Samuel Saelemakers
Let intelligence and body come together, let them understand one another, by means of the matter of my art! The stones and the powers, the profiles and the masses, the lights and the shadows, the artificial groupings, the illusions of perspective, and the reality of weight, these are the objects of their commerce of which the profit shall finally be this incorruptible richness I call Perfection.
– Eupalinos by word of Phaedrus, Eupalinos, or the Architect, Paul Valéry
The text Eupalinos, or the Architect by French poet Paul Valéry, commissioned as an introduction to the first edition of the review Architectures (1921), runs in parallel to Daniel Dewar and Grégory Gicquel’s THE NUDE AND THE SAP, an exhibition gathering existing and new works by the artist duo.
Source : www.wdw.nl
Let intelligence and body come together, let them understand one another, by means of the matter of my art! The stones and the powers, the profiles and the masses, the lights and the shadows, the artificial groupings, the illusions of perspective, and the reality of weight, these are the objects of their commerce of which the profit shall finally be this incorruptible richness I call Perfection.
– Eupalinos by word of Phaedrus, Eupalinos, or the Architect, Paul Valéry
The text Eupalinos, or the Architect by French poet Paul Valéry, commissioned as an introduction to the first edition of the review Architectures (1921), runs in parallel to Daniel Dewar and Grégory Gicquel’s THE NUDE AND THE SAP, an exhibition gathering existing and new works by the artist duo.
Source: www.wdw.nl
Vue d’installation de l’exposition « The nude and the sap », Witte de With Contemporary Art, Rotterdam, 2017.
Installation view of the exhibition “The nude and the sap”, Witte de With Contemporary Art, Rotterdam, 2017.
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Photo Aad Hoogendoorn.
Photo Aad Hoogendoorn.
Vue d’installation de l’exposition « The nude and the sap », Witte de With Contemporary Art, Rotterdam, 2017.
Installation view of the exhibition “The nude and the sap”, Witte de With Contemporary Art, Rotterdam, 2017.
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
© Courtesy the artists and Witte de With, Rotterdam. Photo Aad Hoogendoorn.
Photo Aad Hoogendoorn.
Daniel Dewar & Grégory Gicquel
Stone markety with body, soap pot and taps, 2017
Daniel Dewar & Grégory Gicquel
Stone markety with body, soap pot and taps, 2017
Stone markety with body, soap pot and taps, 2017
Stone markety with body, soap pot and taps, 2017
Marbre, granit
80 × 100 × 2 cm
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Marble, granite
31 1/2 × 39 3/8 × 13/16 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
80 × 100 × 2 cm
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
31 1/2 × 39 3/8 × 13/16 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Daniel Dewar & Grégory Gicquel
Stone marketry with vase, soap and pipe, 2017
Daniel Dewar & Grégory Gicquel
Stone marketry with vase, soap and pipe, 2017
Stone marketry with vase, soap and pipe, 2017
Stone marketry with vase, soap and pipe, 2017
Marbre, granit
66 × 100 × 2 cm
© Photo Margot Montigny, courtesy Le Voyage à Nantes.
Marble, granite
26 × 39 3/8 × 13/16 in
© Photo Margot Montigny, courtesy Le Voyage à Nantes.
66 × 100 × 2 cm
© Photo Margot Montigny, courtesy Le Voyage à Nantes.
26 × 39 3/8 × 13/16 in
© Photo Margot Montigny, courtesy Le Voyage à Nantes.
Daniel Dewar & Grégory Gicquel
Stone marketry with bidets, 2017
Daniel Dewar & Grégory Gicquel
Stone marketry with bidets, 2017
Stone marketry with bidets, 2017
Stone marketry with bidets, 2017
Marble, granite
31 1/2 × 39 3/8 × 13/16 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Marble, granite
31 1⁄2 × 39 3⁄8 × 13⁄16 in
Courtesy galerie Loevenbruck, Paris
Photo Aad Hoogendoorn
31 1/2 × 39 3/8 × 13/16 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
31 1⁄2 × 39 3⁄8 × 13⁄16 in
Courtesy galerie Loevenbruck, Paris
Photo Aad Hoogendoorn
Daniel Dewar & Grégory Gicquel
Stone marketry with taps and pastry molds, 2017
Daniel Dewar & Grégory Gicquel
Stone marketry with taps and pastry molds, 2017
Stone marketry with taps and pastry molds, 2017
Stone marketry with taps and pastry molds, 2017
Marbre, granit
100 × 67 × 2 cm
© Photo Margot Montigny, courtesy Le Voyage à Nantes.
Marble, granite
39 3/8 × 26 3/8 × 13/16 in
© Photo Margot Montigny, courtesy Le Voyage à Nantes.
100 × 67 × 2 cm
© Photo Margot Montigny, courtesy Le Voyage à Nantes.
39 3/8 × 26 3/8 × 13/16 in
© Photo Margot Montigny, courtesy Le Voyage à Nantes.
Daniel Dewar & Grégory Gicquel
Stone marketry with teapot, shells and ribbon, 2017
Daniel Dewar & Grégory Gicquel
Stone marketry with teapot, shells and ribbon, 2017
Stone marketry with teapot, shells and ribbon, 2017
Stone marketry with teapot, shells and ribbon, 2017
Marbre, granit
67 × 100 × 2 cm
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Marble, granite
26 3/8 × 39 3/8 × 13/16 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
67 × 100 × 2 cm
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
26 3/8 × 39 3/8 × 13/16 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Daniel Dewar & Grégory Gicquel
Oak bench with narcissus and snails, 2017
Daniel Dewar & Grégory Gicquel
Oak bench with narcissus and snails, 2017
Oak bench with narcissus and snails, 2017
Oak bench with narcissus and snails, 2017
Chêne et broderie numérique
100 × 180 × 97 cm
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Oak wood, digital embroidery on cushion
39 3⁄8 × 70 7⁄8 × 38 3⁄16 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
100 × 180 × 97 cm
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
39 3⁄8 × 70 7⁄8 × 38 3⁄16 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Daniel Dewar & Grégory Gicquel
Oak bench with narcissus and snails (détail), 2017
Daniel Dewar & Grégory Gicquel
Oak bench with narcissus and snails (detail), , 2017
Oak bench with narcissus and snails (détail), 2017
Oak bench with narcissus and snails (detail), , 2017
Chêne et broderie numérique
100 × 180 × 97 cm
© Courtesy the artists and Portikus, Francfort.
Photo Diana Pfammatter.
Oak wood, digital embroidery on cushion
39 3⁄8 × 70 7⁄8 × 38 3⁄16 in
© Courtesy the artists and Portikus, Francfort.
Photo Diana Pfammatter.
100 × 180 × 97 cm
© Courtesy the artists and Portikus, Francfort.
Photo Diana Pfammatter.
39 3⁄8 × 70 7⁄8 × 38 3⁄16 in
© Courtesy the artists and Portikus, Francfort.
Photo Diana Pfammatter.
Daniel Dewar & Grégory Gicquel
Oak dresser with harnessed oxen, 2017
Daniel Dewar & Grégory Gicquel
Oak dresser with harnessed oxen, 2017
Oak dresser with harnessed oxen, 2017
Oak dresser with harnessed oxen, 2017
Chêne
136 × 136 × 100 cm
© Courtesy the artists and Witte de With.
Photo Aad Hoogendoorn.
Oak wood
53 9⁄16 × 53 9⁄16 × 39 3⁄8 in
© Courtesy the artists and Witte de With.
Photo Aad Hoogendoorn.
136 × 136 × 100 cm
© Courtesy the artists and Witte de With.
Photo Aad Hoogendoorn.
53 9⁄16 × 53 9⁄16 × 39 3⁄8 in
© Courtesy the artists and Witte de With.
Photo Aad Hoogendoorn.
Daniel Dewar & Grégory Gicquel
Oak dresser with harnessed oxen, 2017
Daniel Dewar & Grégory Gicquel
Oak dresser with harnessed oxen, 2017
Oak dresser with harnessed oxen, 2017
Oak dresser with harnessed oxen, 2017
Chêne
136 × 136 × 100 cm
© Courtesy the artists and Portikus, Frankfurt.
Photo Diana Pfammatter.
Oak wood
53 9⁄16 × 53 9⁄16 × 39 3⁄8 in
© Courtesy the artists and Portikus, Frankfurt.
Photo Diana Pfammatter.
136 × 136 × 100 cm
© Courtesy the artists and Portikus, Frankfurt.
Photo Diana Pfammatter.
53 9⁄16 × 53 9⁄16 × 39 3⁄8 in
© Courtesy the artists and Portikus, Frankfurt.
Photo Diana Pfammatter.
Daniel Dewar & Grégory Gicquel
Riding boot, 2011
Daniel Dewar & Grégory Gicquel
Riding boot, 2011
Riding boot, 2011
Riding boot, 2011
Platane
163 × 47 × 47 cm ⁄64 1⁄4 × 18 1⁄2 × 18 1⁄2 in
Courtesy galerie Loevenbruck, Paris
Plane wood
163 × 47 × 47 cm /64 1/4 × 18 1/2 × 18 1/2 in
Courtesy galerie Loevenbruck, Paris
163 × 47 × 47 cm ⁄64 1⁄4 × 18 1⁄2 × 18 1⁄2 in
Courtesy galerie Loevenbruck, Paris
163 × 47 × 47 cm /64 1/4 × 18 1/2 × 18 1/2 in
Courtesy galerie Loevenbruck, Paris
Daniel Dewar & Grégory Gicquel
Riding boot, 2011
Daniel Dewar & Grégory Gicquel
Riding boot, 2011
Riding boot, 2011
Riding boot, 2011
Platane
163 × 47 × 47 cm
© Courtesy the artists and Portikus, Frankfurt.
Photo Diana Pfammatter.
Plane wood
64 1⁄4 × 18 1⁄2 × 18 1⁄2 in
© Courtesy the artists and Portikus, Frankfurt.
Photo Diana Pfammatter.
163 × 47 × 47 cm
© Courtesy the artists and Portikus, Frankfurt.
Photo Diana Pfammatter.
64 1⁄4 × 18 1⁄2 × 18 1⁄2 in
© Courtesy the artists and Portikus, Frankfurt.
Photo Diana Pfammatter.
Daniel Dewar & Grégory Gicquel
Horse saddle, 2011
Daniel Dewar & Grégory Gicquel
Horse saddle, 2011
Horse saddle, 2011
Horse saddle, 2011
Platane
45 × 65 × 55 cm
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Plane wood
17 3⁄4 × 25 5⁄8 × 21 3⁄4 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
45 × 65 × 55 cm
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
17 3⁄4 × 25 5⁄8 × 21 3⁄4 in
© Courtesy the artists and Witte de With, Rotterdam.
Photo Aad Hoogendoorn.
Daniel Dewar & Grégory Gicquel
Oak mural with man, udders and vase, 2017
Daniel Dewar & Grégory Gicquel
Oak mural with man, udders and vase, 2017
Oak mural with man, udders and vase, 2017
Oak mural with man, udders and vase, 2017
Chêne
73 × 260 × 24 cm
Courtesy galerie Loevenbruck, Paris
©
28 3/4 × 102 3/8 × 9 7/16 in
Courtesy galerie Loevenbruck, Paris
©
73 × 260 × 24 cm
Courtesy galerie Loevenbruck, Paris
©
Courtesy galerie Loevenbruck, Paris
©