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“Making time visible”: the ephemeral made sublime
With works by Jean Dupuy and Alina Szapocznikow
Online Viewing Rooms is Art Basel's virtual platform connecting the world's leading galleries with their global network of collectors and art enthusiasts.
The edition 'OVR: Portals' is curated by Magali Arriola, Director, Museo Tamayo, Mexico City; Christina Li, independent curator based in Amsterdam and Hong Kong; and Larry Ossei-Mensah, co-founder of ARTNOIR and Curator-at-Large at BAM, New York City.
Running June 16-19, 2021, it will focus on artistic practices that interrogate the parameters that have shaped our contemporary condition, both through current and historical lenses.
Bringing together two artists, Jean Dupuy and Alina Szapocznikow, Loevenbruck Online Viewing Room features a sequence of historical and contemporary works which speaks of our relation to memory and to time, and about attitudes and forms. A vision of the processes used by artists yesterday and today, in order to express our being and see our tomorrow.
https://www.artbasel.com/ovr
More information on our Online Viewing Room
“Making time visible”: the ephemeral made sublime
With works by Jean Dupuy and Alina Szapocznikow
Online Viewing Rooms is Art Basel's virtual platform connecting the world's leading galleries with their global network of collectors and art enthusiasts.
The edition 'OVR: Portals' is curated by Magali Arriola, Director, Museo Tamayo, Mexico City; Christina Li, independent curator based in Amsterdam and Hong Kong; and Larry Ossei-Mensah, co-founder of ARTNOIR and Curator-at-Large at BAM, New York City.
Running June 16-19, 2021, it will focus on artistic practices that interrogate the parameters that have shaped our contemporary condition, both through current and historical lenses.
Bringing together two artists, Jean Dupuy and Alina Szapocznikow, Loevenbruck Online Viewing Room features a sequence of historical and contemporary works which speaks of our relation to memory and to time, and about attitudes and forms. A vision of the processes used by artists yesterday and today, in order to express our being and see our tomorrow.
https://www.artbasel.com/ovr
More information on our Online Viewing Room
Jean Dupuy
Leo’s Clock, 1972
Jean Dupuy
Leo’s Clock, 1972
Boîte en bois, mouvement d’horloge, aiguilles, tirage photographique et miroir
20,5 × 24 × 12,5 cm (fermée)
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Nicolas Calluaud.
7 7/8 × 9 7/16 × 4 3/4 in (closed)
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Nicolas Calluaud.
About the artwork
Alina Szapocznikow
Cendriers d’ambiance (détail), 1972/2007
Alina Szapocznikow
Cendriers d’ambiance (detail), 1972/2007
Photographie, chaque : 40,5 × 30 cm ; lettre : 31,6 × 23,4 cm ; boîte : 43 × 32 × 25 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
À propos de l'œuvre
Two black-and-white photographs, color contact print, facsimile letter, and box
Photograph, each: 16 × 11 3/4 in ; letter: 12 1/2 × 9 1/4 in; box: 16 7/8 × 12 5/8 × 9 7/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
About the artwork
Jean Dupuy
Where, 2013
Jean Dupuy
Where, 2013
Acier Corten
3080 × 11020 × 14 cm
Edition de 3 exemplaires + 1 E.A.
Avec la participation du Centre National des Arts Plastiques
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
À propos de l'œuvre
Corten steel
3080 × 11020 × 14 cm
Edition de 3 exemplaires + 1 E.A.
Avec la participation du Centre National des Arts Plastiques © Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
About the artwork
Alina Szapocznikow
Fotorzeźby (détail), 1971/2007
Alina Szapocznikow
Fotorzeźby (detail), 1971/2007
Vingt épreuves gélatino-argentiques originales et un collage avec texte sur papier
Prises de vue : Roman Cieslewicz
24 × 30 cm et 30 × 24 cm (chaque)
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
À propos de l'œuvre
Twenty original gelatin silver prints, collage with text on paper
Photography: Roman Cieslewicz
9 7/16 × 11 13/16 in and 11 13/16 × 9 7/16 in (each)
Courtesy galerie Loevenbruck, Paris
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
About the artwork
Jean Dupuy
Here, 2013
Jean Dupuy
Here, 2013
Acier Corten
3080 × 8004 × 14 cm
Edition de 3 exemplaires + 1 E.A.
Oeuvre produite avec le soutien de la ville de Paris – Département de l’Art dans la Ville
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
À propos de l'œuvre
Corten steel
3080 × 8004 × 14 cm
Edition of 3 + 1 A.P.
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
About the artwork
Alina Szapocznikow
Ventre-coussin, 1968
Alina Szapocznikow
Ventre-coussin, 1968
Mousse polyuréthane
18 × 30 × 34 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
Polyurethane foam
7 1/16 × 11 13/16 × 13 3/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
About the artwork
Alina Szapocznikow
Tancerka (Podparta), 1959
Alina Szapocznikow
Tancerka (Podparta), 1959
Plomb
15,5 x 10 x 10 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset
À propos de l'œuvre
Plomb
15,5 x 10 x 10 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris
© ADAGP, Paris. Photo Fabrice Gousset
About the artwork
Alina Szapocznikow
Paysage humain (du cycle « Paysage humain »), ca. 1971-1972
Alina Szapocznikow
Paysage humain (du cycle « Paysage humain »), ca. 1971-1972
Aquarelle et feutre sur papier
24 × 31,5 cm
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
À propos de l'œuvre
Watercolour and felt-tip pen on paper
9 7/16 × 12 3/8 in
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth.
© ADAGP, Paris. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris / Hauser & Wirth. Photo Fabrice Gousset, courtesy Loevenbruck, Paris.
About the artwork